Savannah Collector Acquires Two Palmer Paintings.

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These Boots are Made for Walking

This is a rare fantasy piece by artist Gertrude Palmer that was created at the request of Studio 621 in Tallahassee, FL. The season was Halloween and it was to be scary in theme. Being a woman and past clothing designer, I thought I would address a scary moment in fashion history. Think Nancy Sinatra and white stretch vinyl boots, the essential accessory of the Chicago mini-skirt. This sexy bolero clad muse is being drawn along on the tail feathers of a "be-socked" swan, accompanied by an army of marching white boots.

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Biography

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G e r t r u d e  H e n d r i c k s  P a l m e r gertswerks@gmail.com Early Years Late 1960's: As a teenager, her life size fashion sketches were featured in the windows of Carson Pirie Scott & Co. Chicago's Winnetka branch. After graduating from High School where she learned stone lithography under C. Levine, she moved to Eugene , Oregon where she found a fertile art community and was awarded the In Vivo Design Award for a collection of ethnic ski wear, the first fabricated in natural materials. After successfully designing a women's junior line that was released in the Seattle Market, the artist decided to refocus on stone lithography,and began studies at the University of Oregon. followed by a move to Southern Oregon University to study photo litho under Lyle Matouche (master printer for Karl Tobey) where she was awarded a scholarship and produced politcal and feminist works from 79 – 83 , including Even Valentino Ate Apples, The Great American Playboy,
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What I love about your picture is the Gestalt or Gertstalt (ala Steve)

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Raamy & Steve: What I love about your picture is the Gestalt or Gertstalt (ala Steve) What I love about the picture which maybe I can articulate better is the broad brush strokes that make a delicate image.  It has a big impact on me. Gert's reply to Raamy & Steve: What a wonderful thing to say. I have succeeded then! I am glad you are moved by my painting. I never thought of it as Gestalt, and I like that descriptor, but I often think of them as gestures or gestural (a relation to gestalt?). Gesture Painting is a calisthenic exercise in drawing the figure, meant to capture the essence in a few quick strokes. I have done a lot of it painting on site or ala prima as they call it. Of course, Red Dress is more involved or not so quick. But it is very important to me to keep that original essence. I find, painting blind, so to speak, without a plan, gives the work a life, that seems to have a powerful effect on some people. I am always saddened when trying to polish
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